#99 - Satan's Fall - Mercyful Fate - Melissa (1983)

From Mercyful Fate's debut album, this is the centerpiece of that classic album. Clocking in over eleven minutes, Satan's Fall is powerful and epic. Mercyful Fate is one of those bands who peaked early, with their first and second albums being their best. Satan's Fall is only one of many great tunes on these two albums; but for me it is one of their best.

When I first heard this album, and this track in particular, I was blown away at the intensity of it, I could not believe how dark this whole album was, and I was in awe of the mood of the whole thing. I am unsure if you can call it black metal, because it sounds nothing like today's black metal, but I call it a great metal song, from a great metal album.

# 100 - Doctor Doctor - U.F.O. - Phenomenon (1974)

OK - a couple of points. I decided to do one hundred, because I couldn't cut it to forty and include everything I wanted to, so it is a top hundred.

Second - the list is only metal (i.e. no Rush).

So, I have broken the rules already since this song is not really metal, and the list is only metal. But, this song is here not really for itself anyway. Like many great songs, its greatness is partially due to an association with something else.

Any Iron Maiden fan reading this understands.

Picture the scene; you are in a crowded concert venue waiting for Iron Maiden to hit the stage. There is the usual milling about, you hear some music through the house PA, the air may even be a little smoky. Then suddenly you hear the eerie guitar intro to Doctor Doctor, and you realize you are only moments away from the main event.

I always get chills whenever I hear this song, and even though it's greatness if due to an association with another band, the song itself is still awesome, and a perfect begining to this list.

Top 40 - T-Bone Style (cue Casey Casem cursing sound byte)

VH1 recently did a show counting down the top 40 metal songs of all time, their list is below:

40-Breaking the Law -Judas Priest
39-I'm Eighteen - Alice Cooper
38-Balls to the Wall -Accept
37-Smoke on the Water -Deep Purple
36-Wait and Bleed -Slipknot
35-Metal Health -Quiet Riot
34-Paranoid -Black Sabbath
33-High 'N' Dry (Saturday Night) -Def Leppard
32-Thunder Kiss '65 -White Zombie
31-Rock You Like a Hurricane -Scorpions
30-Epic -Faith No More
29-Caught in a Mosh -Anthrax
28-The Beautiful People -Marilyn Manson
27-Run to the Hills -Iron Maiden
26-Refuse/Resist -Sepultura
25-Cowboys From Hell -Pantera
24-Dirty Deeds Done Dirt Cheap -AC/DC
23-Freak on a Leash -Korn
22-Enter Sandman -Metallica
21-Paradise City -Guns N' Roses
20-I Wanna Rock -Twisted Sister
19-Man in the Box -Alice in Chains
18-Slave to the Grind -Skid Row
17-Live Wire [Kick A** '91 Remix] [Mix] -Mötley Crüe
16-Walk -Pantera
15-Bulls on Parade -Rage Against the Machine
14-Toxicity -System of a Down
13-Rainbow in the Dark -Dio
12-Bring the Noise -Anthrax
11-Peace Sells -Megadeth
10-Ace of Spades -Motörhead
9-Crazy Train -Ozzy Osbourne
8-Raining Blood -Slayer
7-The Number of the Beast -Iron Maiden
6-Detroit Rock City -Kiss
5-You've Got Another Thing Comin' -Judas Priest
4-Back in Black -AC/DC
3-Master of Puppets -Metallica
2-Welcome to the Jungle -Guns N' Roses
1-Iron Man -Black Sabbath

While this list is not a total insult to us tr00 metal fans, there are some on this list that are just plain silly. Appetite for Destruction is a really good record, but it is not metal. Anyway, to right their wrong in my own warped little universe, I have decided that I am going to do my own countdown of the top 40 metal songs of all time. While the VH1 list has some good tunes in there, only one song in their illustrious top 40 will be on my top 40 (hint: it is NOT Bring the Noize).

The Gay Nineties (Not that there's anything wrong with that)

(and I mean gay like the kids say gay)

The top tens are temporarily dead. I tried doing a top 10 for 1992, but there were so many bad albums that I lost interest. I mean Dream Theater's Images and Words is one of the greatest albums of all time, and would far and away be the number one album of that year. Also, there were a couple of other good albums that year like Running Wild's Pile of Skulls Alice in Chains' Dirt. Maiden's Fear of the Dark has some bright spots and Sabbath's Dehumanizer was listenable.

Outside of that I really can think of one good album from 1992. What would be number 6? Triumph of Steel by Manowar? No thanks. I'll pass.

Anyway, I plan to pick up the top tens again, but I will certainly skip 1992 and probably 1993 as well.

Primordial - The Coffin Ships

Every once in a while, a song comes along that is so awesome that you feel your head is going to explode. Primordial's song "The Coffin Ships" from their album The Gathering Wilderness is one of the best songs I have ever heard. It is dark and epic and it has so much feeling to it, words cannot do it justice.

The song is about the Irish emigration during the famines of the 19th century. I recommend this to anyone reading this blog. This may be the song of the decade.

Paul Di'anno - Please Go Away

Paul Di'Anno has just released another retread of Maiden songs. This guy got booted from Maiden 25 friggin' years ago, and he has done absolutely nothing since, so he is re-recording the only decent songs he has ever been involved with. The CD, entitled "Paul DiAnno - The Classics", is subtitled "The Maiden Years". This guy is the biggest friggin' tool.

1991 - Look at the Wazool

For me, 1991 was a strange year in hard rock/metal. 1991 saw a few really good/great albums, and a bunch of marginal releases. Of course, as the years progress, there are more and more metal/hard rock albums to choose from, so compiling a list becomes more difficult. For the 1991 albums, I begged, borrowed and stole almost 30 albums, and many of them were crap (Old Lady Drivers for example). However, most of them were marginal, not really bad, but uninteresting (i.e. Anacrusis and Coroner).

In any case, I have compiled my personal top ten for the year. Many reading this will disagree saying I left out album X or Y, and of course, most people will say that the one glaring omission was done out of a personal distaste for a particular drummer of Danish origin. To that, I say horse-hockey. The record in question is average hard rock/metal by numbers.

10. Dark Angel – Time Does Not Heal

For me this is Dark Angel’s crowning achievement. I would have to say this is a seriously underrated album. When people speak of Dark Angel, the first two records seem to get all the praise, which does not make sense to me, as this one is far better, especially lyrically. Also, as advertised, there are plenty of riffs to sink you teeth into.

9. Blind Guardian – Tales From Twilight World

Speed metal, power metal, whatever you want to call it, this is a good album. Much better than the first two, this disc moves along with great flow and pace. It never gets boring, and while it doesn’t stay with you like the great albums do, it is always good to hear after not hearing it for a while.

8. Rush – Roll the Bones

This is a strange record. While hailed by Geddy & Co as one of their finest moments, I disagree. There are some great tunes on here, but let’s face it, there are some real clunkers too. The great songs are the ones you know, Dreamline, Where’s My Thing? and the title song, but tracks like Ghost of a Chance, Heresy and The Big Wheel are forgettable numbers, and while I can listen to them, I would imagine only only the most devoted Rush fans like these.

7. Metal Church – The Human Factor

This is an underrated album, from an underrated band. The band has become more political, but it’s not really in your face. The music is still Metal Church and while there is no “Badlands” on this record, the whole thing is interesting and the music is still heavy.

6. Motörhead – 1916

Their first studio album in four years, and Motörhead never missed a beat. 1916 is lighter hearted than earlier releases, and while it is undeniably Motörhead, it is still somehow different. No Voices in the Sky and I’m So Bad are among Motörhead’s best tracks ever, and the rest of the albums is a great listen. Highly recommended for tailgates at any metal show, 1916 is a very enjoyable album.

5. Running Wild – Blazon Stone

Running Wild is kind of like AC/DC in that they never change their sound, and while I can see a reasonable criticism for this, Running Wild gets a pass. Why? Because I like their sound. Running Wild are unapologetic for their speed/power pirate formula because it works. Running Wild’s riffs are just so damn good; you can help but like this album.

4. Pearl Jam – Ten

Just because a record sells billions of copies does not mean it is good. However, the masses got it right with this one. Pearl Jam’s first album is so simple, it is brilliant. I think they found the right combination of hard rock and angst on this album. There is such groove and feel to these songs, it seems to have been executed with great passion, and that is what I love about this record.

3. Fates Warning – Parallels

Fates Warning was trying to be more accessible here, but by 1991, no one was interested in 80’s metal with a proggy touch to it. Perhaps if 1989’s Perfect Symmetry were as good as Parallels, Fates Warning would have achieved Queensryche success. However, with the country now mesmerized by Kurt Cobain’s flannel shirt, Parallels would be mostly ignored and forgotten. It’s a shame too because it is a great album, with rich vocals and guitars everywhere. A forgotten gem.

2. Iced Earth – Night of the Stormrider

Iced Earth used to be such a good band, and I don’t understand why more people do not like this album. Sure Greely isn’t the best singer, but this album is so well written. The riffs are huge, and the story is captivating without an element of cheese so prevalent in metal concept albums. This is an example of an album that once you put it on; you have to listen to the whole thing, because it is so captivating and memorable. Iced Earth’s best effort for sure.

1. Armored Saint – Symbol of Salvation

Where do I begin? I can’t begin to explain how great I think this album is, and the frustrating part is, I cannot explain why. Let’s face it, Armored Saint isn’t exactly known for the great songwriting, or brilliant musical chops. Maybe it is the ghost of Dave Prichard that haunts this record, but there is some intangible that makes all these songs great, whether it is the “commercial” Last Train Home, or the blistering Hanging Judge or the thought provoking Tainted Past, it is just a great album start to finish.

Lande Takes Off - Again

So Jorn Lande has quit Masterplan after two albums. Let me pretend to be shocked. This guy has been in more bands than Ted McGinley’s been in bad sitcoms. Anyway, like he deserted Ark, he deserted Masterplan. I don’t think Masterplan will go under like Ark did. The rumor is that Tony Martin may be the new Masterplan singer. That actually would be pretty cool, I like Martin’s vocals with Sabbath, and I like Masterplan's music, so Lande’s departure may not be as catastrophic as Ark’s demise.

Also, I must admit, the little I have heard from Lande’s new solo album is pretty good, so perhaps this move will benefit everyone; but I must ask, where is Tore Ostby.

1990 - Dance With the Dead in My Dreams

In 1990, the metal world was beginning the fight for its life, though it did not know it yet. The Bay Area metal scene was dominating metal at this time as many of these bands were in their primes. The difference in the 1990 top ten with the 1989 is staggering, with 1990 containing much heavier albums and 1990 had a more metal feel to it.

The grunge scene was born, and not being a big fan of the genre, no grunge albums made the top ten in 1990, though there will be some in future years I am sure.

10. Elixir – Lethal Potion

Choosing number 10 here was tough, as to me this album is clearly inferior to the top 9. I could have chosen any of several slightly above average albums to fill this spot, including Alice in Chains’ debut, No Prayer for the Dying, Spiritual Healing, The Eye, or even Cowboys from Hell , but being the Clive Burr fan boy that I am, I chose Elixir. Sue me.

9. Queensryche – Empire

I wanted to leave this album off on general principle, but I could not do it with a clear conscience. Despite the prosaic Silent Lucidity, Empire is quite a good album. Forgotten gems like Resistance and Anybody Listening? make this album what it is, while the most well known songs are probably the worst songs here, with the exception of the brilliant Jet City Woman.

8. Testament – Souls of Black

By 1990, everyone and their brother from San Francisco/Oakland were in a thrash band. Most of them were boring and non descript, and until this album (OK Practice isn’t bad either) Testament was in the middle of that pack of mediocrity. Souls of Black however, had a slightly different sound. A bit more polished, and slick, Souls of Black was the high point of Testament’s not so illustrious career.

7. Megadeth – Rust in Peace

Many say this is Megadeth’s finest moment, and maybe they are right, though I am somewhat partial to Peace Sells. Anyway, 1990’s Rust in Peace is a very good album, that features some great playing by the band, and some really well written songs that blend together very nicely. The final three tracks are what make the album, Tornado of Souls, Dawn Patrol and Rust in Peace.

6. Iced Earth – Iced Earth

Released in Europe in 1990, and in the USA in 1991, I have decided to include this with 1990. Iced Earth was at one time, a metal band that fell between the traditional Iron Maiden sound, and the Florida extreme metal scene. When the Night Falls alone would make this a cool album, but the entire album is full of good guitar work, and the vocals are sufficient.

5. Gamma Ray – Heading for Tomorrow

Perhaps the best thing to happen to Power Metal was Kai Hansen’s departure from Helloween. Heading for Tomorrow is not the best Gamma Ray album, but it is quite good. It is the transition between Helloween and Gamma Ray. Hansen’s playing is great, and Scheepers' vocals are real good too. The songs are diverse and the flow of the album is also very nice. To me, the title track is a bit of an earful, but it is still a very good album.

4. Bathory – Hammerheart

I am not a Bathory fan, but I really like this album. Quorthon’s vocals are bad, even for Black Metal, and usually Bathory’s production is even worse that the pitiful Black Metal norm. Here, the production is at the perfect level to give this album the perfect sound. The songs here are great, and the atmosphere is what makes this album so appealing. The whole is truly greater than the sum of its parts, and I prefer to put this disc on when I have enough time for the whole thing. Hailed as the birth of Viking Metal, Hammerheart is my favorite Bathory album, and really an essential disc in any extreme metal collection.

3. Judas Priest – Painkiller

Can an album be Number 3 on the list and still be way overrated? Yes. Painkiller is a very good album, no question. But many feel it is the best Judas Priest record. That is nonsense. What we have here is an album with great riffs, solos and melody lines. Musically it may be considered a great album. However, these may be the worst set of Judas Priest lyrics ever written. Any album that uses the term “Devil Dogs” has silly lyrics. Anyway, Tipton and Downing are brilliant here, and new drummer Scott Travis keeps thing moving along at a nice pace.

2. Death Angel – Act III

A bit of a surprise pick here, as anyone who has read these posts knows, I am not a fan of generic bay area thrash. However, after listening to this gem a couple of times I realized that this album is far from generic. This album is vastly different from the thrash by numbers mediocrity that was on DA’s first two albums. This album has it all, great guitar riffs and solos, interesting bass and drum parts and good vocals. Highly recommended.

1. Slayer – Seasons in the Abyss

By far, this is the best Slayer album ever. Here they combined everything that had worked on previous releases, and mixed them all together to come up with a brilliant album. The sound is rich and the riffs are chunky, while the songs move along at a great pace. Slick production is the icing on the cake. A great album for sure, and it is my choice for best of 1990.

1989 - The Dogs Lay at Your Feet

This may have been the most difficult Top 10 I have ever assembled. The reason is that NONE of these albums are really that great, with perhaps only the top album achieving greatness. They are all good, but none of them are close to perfect, and they all have their weak spots.

In fact, it was tough to exclude the following six albums because they were all worthy of the top 10, but fell a bit short. So, the runners up are:

Helstar – Nosferatu
Fates Warning – Perfect Symmetry
A.S.A.P. – Silver and Gold
Cloven Hoof – A Sultan’s Ransom
Annihilator – Alice in Hell
Enuff Z’ Nuff – Enuff Z’ Nuff

All really good albums, but not quite there, so now on to the top 10:

10. Blue Murder – Blue Murder

More of a hard rock than metal album, John Sykes solo band’s first album is quite good. Of course, there is a Whitesnake feel to it, but since John wrote all the music on the multi platinum self titled album, it’s all good in my book. Valley of the Kings is a great track, and the other songs are good too, but Sykes’ playing is what keeps this record interesting.

9. Watchtower – Control and Resistance

This album is frustrating. Watchtower was capable of making such a better album than this. However, it is still a real good album, and while a step down from Energetic Disassembly, it is good enough to crack the 1989 top 10.

8. Tora Tora – Surprise Attack

1989 was the peak of hair metal. By the end of 1990, the Seattle scene will have all but ruined the career of hair bands. However, by 1989, so real talented musicians were in hair bands, and the song quality was way above the pioneers of the sub genre. So bands like Vain, Enuff Z’ Nuff and Fifth Angel were releasing good quality records, but little did they know their genre was doomed. Any way, this album was the best of the bunch.

7. King Diamond – Conspiracy

Many people believe this record is just as good as its predecessors, but I disagree. Maybe it’s that horrible record cover. Anyway, for me, this is where King’s dominance is over, and his releases decline to mediocrity. Still, Conspiracy is a good album, and worthy of the top 10.

6. Metal Church – Blessing in Disguise

Badlands is probably the track of the year, and the rest of the album is really good too. As I have said before, it is my opinion that Metal Church is the most underrated band for the 1980’s California Thrash scene. They are so much better that Vio-lence, Testament, Exodus and all that other generic thrash.

5. Running Wild – Death or Glory

This was Running Wild’s peak period. Death or Glory has a perfect sound. Some of the songs fall flat, but the majority of them are terrific Euro speed metal, done by the genre’s inventors.

4. Dream Theater – When Dream and Day Unite

The first album from the now legendary New York prog outfit is one of my favorite DT records. While Charlie’s voice is not that great, the band’s playing was very tight, and I think they have lost focus over the years. The album manages to be very progressive, while still being heavy. DT would go on to make a couple albums far superior to this one, but still, despite poor production and less that average vocals, this is a very good album.

3. Rush – Presto

Fanboy? – maybe. While not the greatest Rush record of all time, Presto still has some quality tracks on it like The Pass, Superconductor and the title song. Most of the album is somewhat generic mid-term Rush, but let’s face it, generic mid-term Rush is still pretty damn good.

2. Savatage – Gutter Ballet

Like most of the albums on this list, Gutter Ballet has some great moments, and at other times it falls flat. Criss Oliva’s songwriting and guitar playing here is what makes this album so good. A bit more progressive that their previous albums, but not corny like the albums that would come after, Gutter Ballet is the high water mark for Savatage.

1. The Cult – Sonic Temple

Every so often, an album comes from left field to completely blow me away, and while Sonic Temple is not without its flaws, it is easily the top album of 1989. Ian Astbury’s vocals are brilliantly incorporated into the music, and the additional heaviness compared to their previous albums makes this a hard rock album worthy of inclusion here.

In 1985 Plutonium is Available at Every Corner Drug Store

So we got this new copier in the office, and the thing is a behemoth. It takes up half the mail room, and apparatnly it can split an atom. However, sometimes I only need 1 copy.

When I make one copy on this thing I feel like Doc Brown making an ice cube in 1885.....

Quote of the Day

Spring training started this week, so I thought I would post an appropriate quote.

"Baseball is like church. Many attend, few understand."- Leo Durocher

I Wish I Had Listened to Splint McCollough

Here is an excert from my youth. The scene appears as follows.

I am about 12 years old, watching The Odd Couple, my mom is cooking dinner.

Felix: So I've proved I can handle myself

Oscar: No, it shows that 20 years ago you beat up a bunch of skinny CPA's....

Me: Mom, What's a CPA?

Mom: Certified Public Accountant. It means blah blah blah........



It sounded boring then, so why did I not listen?

Interlude

I think I am going to hold off on my top 10's for a while. I plan to come back to them, but other interests will be consuming my most limited resource (free time). In any case, I hope to continue posting interesting ideas and thoughts that may pop up in my mind from time to time, without being too serious.

Recently, two of the three maudlin of the Well albums were re-issued (Leaving Your Body Map and Bath). I really dig these CD's, interesting and different stuff for sure.

1988 - I Remember Now

1988 was a good year in metal. I found it difficult to narrow down the top 10 as I had about 5 other choices that really could have come in as high as number 8, as there really was not too much difference between number 8 and number 15 or so.

10. Death - Leprosy

This album is not well perceived by many fans of Chuck Schuldiner, probably because the backing band is average at best, but I think it is a good album, and far better that the debut. Death would mature over the years, and the music would become more technically proficient, but there is a place for Leprosy among the best albums of 1988. It is shockingly brutal for the time and well executed.


9. Pantera - Power Metal

OK - stop laughing. This is my favorite Pantera album. Really - please stop laughing. This is actually Pantera's fourth album, and the last before the famous Cowboys From Hell. This is the first album to feature vocalist Phil Anselmo. Lyrically, this album is bad, but the music is so damn good that I can overlook the ridiculous lyrics. Darrell Abbot's riffage is top notch and personally, I wish Pantera had kept this sound instead of the pseudo-thrash genre they helped develop.


8. Metallica - …And Justice For All

This was the first step down of a legendary decline that would get worse with each release. Metallica's borderline album is still good, and there are some brilliant moments here. Poor mixing and below average production produce a sound that can be annoying at times, and sometimes you wonder if there is a bassist. But, as a whole the songs are quite good, and the guitar playing is Hammet and Hetfield's finest of their career.


7. Fates Warning - No Exit

A new singer and a new style are the obvious things about this album. No Exit is far more progressive than earlier efforts, but still very heavy. As much as I like John Arch, Ray Adler is the voice for Fates Warning, and he was good from the start. An ambitious album for sure and they hit the mark for the most part. Parts of the opus, The Ivory Gate of Dreams are not executed that well, and I sometimes lose interest in the song, but overall this is a good album.

6. Running Wild - Port Royal

I really like this band, and this is one of my favorite Running Wild albums. It took a while, but the band seems very comfortable and confident in their sound and style here, and the result is a melodic speed/power metal album of the finest quality. The songs are all good, great riffs and melodies, etc. Plus, I love the whole Pirate thing.


5. Helstar - A Distant Thunder

This is Helstar's best album to date; perhaps their best ever. The guitars sound perfect, and the singing is great. This album has all the right sounds, riffs, hooks, solos, melodies, etc. The sound to me could be described as power metal, with a dash of progressive thrown in, and it works. It is a very good album for sure.


4. Iron Maiden - Seventh Son of a Seventh Son

"Bloody Americans, they just don't get us," Steve Harris said of this album, as it did not reach the commercial success of Somewhere in Time. Actually, I think this album did miss the mark a little bit, and is a step down from Maiden's earlier works. The title track is overlong and does not hold my interest like other Maiden epics, plus this album contains Quest For Fire Part II aka The Prophecy. All in all though, this is a very good album, tracks like Infinite Drams and The Evil Than Men Do are great songs and really save the album.

3. King Diamond - "Them"

Another one of King's horror stories, and again he hits the mark. As usual, Andy LaRocque is in fine form, as the guitars sound great. I think this is a step down for King as Abigail was better, but only in that the cheese factor is a bit more prevalent here. Sometimes "Them" borders on silly and over dramatic (i.e. "Grandamaaaaaaaaaaaaa"). Despite that one criticism, "Them" is a very good album, and like all of King's early solo work, a treat to listen to from start to finish.


2. Helloween - Keeper of the Seven Keys Part II

For me, this is the best Helloween album. The riffage is huge; Kiske singing is better than in Part I, and the songs are more interesting as well. There are some classic power metal tracks here like I Want Out and Eagle Fly Free. Dr. Stein is also a great track. The epic title track is not as good as the epic Halloween from part I, but it is still a good track. I think if Hansen had participated a little more in the songwriting, this could have been one of the top 5 metal albums of all time.


1. Queensryche - Operation: Mindcrime

Wow. Brilliant. It is so hard for me to write a paragraph about this album. It is so well done, it is cinematic. Usually, a concept album is far better as a whole and the songs alone don't stand up too well as stand alone tracks. Here, the songs are so good, that they stand up very well by themselves, but when you put them all together it comprises one of the best albums ever recorded. I can't say enough glowing things about this album; it is a masterpiece.

1987 - A Memo to a Higher Office

1987 was a good year for music, many good albums came out, and even a few great non-metal albums like Springsteen's Tunnel of Love (my personal favorite Springsteen record) and Pink Floyd's comeback album, A Momentary Lapse of Reason.

Additionally, there were many hard rock albums that came out in 1987 that were good, but to me, not better than the ten albums presented below. These include Def Leppard's Hysteria, Areosmith's Permanent Vacation and the gazillion selling Appetite for Destruction by Guns 'N Roses.

So, the top 10 is.....


10. Celtic Frost - Into the Pandemonium

I like strange stuff, and this album is strange. I still prefer To Mega Therion, but I really like this album a lot more now than I used to, in fact I like it more with every listen. Celtic Frost does some weird stuff here, and for me it works most of the time, Mexican Radio being an exception. There is something for everyone here, a lot of different sounds to be sure. Not for every taste, but I like it.


9. Motörhead - Rock 'N' Roll

Certainly not Motörhead's finest moment, and you can see the ideas starting to dry up a bit, but still Rock ''N' Roll is another solid effort from Lemmy's crew. The first four tracks are great, but the albums fades a bit and the balance of the tracks are less memorable. All in all, the album is a good one, and really a good listen start to finish, including The Blessing.


8. Sanctuary - Refuge Denied

This is the debut from Sanctuary, and the better of their two albums in my book. I am not sure how much Dave Mustaine contributed to this album, but it seems as if he added something to the mix. The riffs and solos on this album keep coming from beginning to end and the songs are well crafted. A good debut for sure, and one of those few albums from an American metal band that you can listen to from start to finish without some cheesy ballad to ruin it.


7. Dio - Dream Evil

Dream Evil is a good album. The metal community seems to dislike this album, and I realize it is not to the level of his first two, but it is still quite good. A slight improvement over Sacred Heart in my opinion, as there is not as much cheese, and the "commercial" song on this album, I Could Have Been a Dreamer, is actually good as opposed to the two commercial efforts on Sacred Heart. There are plenty of riffs here, despite the departure of Vivian Campbell, and the solos are just as good too.


6. Savatage - Hall of the Mountain King

Finally, the pieces started to come together for Savatage. Criss Oliva's riffs, licks and solos are top notch, and really all the music on this album is great, almost brilliant. Unfortunately, Jon Oliva's raspy vocals and over dramatic intonation keeps this album from achieving the level of greatness that it could have with a better singer.


5. Anthrax - Among the Living

This is a fun album. I really don't take Anthrax too seriously, as they are more of a joke than a serious band. This album's tracks include the ridiculous Caught in a Mosh, N.F.L. and Indians (we're dissin' them!!!). However, it all works quite well, and the album, while dated, is a memorable one.


4. Running Wild - Under Jolly Roger

Until this album, Running Wild was another generic European band singing about the devil, hell and the like; however, with Under Jolly Roger, Running Wild made the shift that would define their career. Pirates!! Ironically, this theme really works for this band, and the songs are quite good.


3. Helloween - Keeper of the Seven Keys, Part I

Here is where we separate the good from the great. Helloween's first album with the "classic" line up that included Michael Kiske and Kai Hansen is a non stop feast of German speed metal of the finest vintage. Not at all dated, 19 years later this album still sounds great.


2. King Diamond - Abigail

One of King's finest solo moments, Abigail is the first of King's epic storylines. Normally, I don't like concept albums, but King is the master, and this story of Abigail is fantastic. There are so many great tracks here, A Mansion in Darkness, Abigail and Black Horsemen are my personal favorites, and this album is best listened to as a whole, for the whole is even greater than the sum of its marvelous parts. Lyrically, musically (kudos to Denner and LaRoque) and conceptually, this album truly rocks.


1. Rush - Hold Your Fire

This is not metal; in fact it's barely hard rock. I don't care, it is still great. For me, this is the album where all of the experimentation with electronics and keyboards on the last two albums was perfected. Lyrically, this is one of Peart's finest. Gems like Mission, Tai Shan, Second Nature and Prime Mover all long forgotten by all but the tr00est Rush fans are sonic masterpieces. Underrated and overlooked, Hold Your Fire is Rush's finest of the post Moving Pictures era.

1986 - Cosmic Jazz, Plus the Singer is an Ugly Guy

The 1986 top 10

10. Helstar - Remnants of War

The second album from Helstar, and to me it was a big improvement from the 1984 debut. Heavier and more consistent than Burning Star, Remnants of War is pre-historic power metal at its finest. The guitar work here is what makes the album, and there are plenty of licks, riffs, and solos to keep the listener interested. A very good album, with no clunkers or turkeys that make you want to hit the "skip" button, and recommended to all metal fans, and power metal fans in particular.


9. Rage - Reign of Fear

This is the (sort-of) debut album by German power metallers Rage. Now in 1986, the sub-genres were branching out, and while close to the vest of traditional metal in the vein of Iron Maiden and Judas Priest, Rage still had a sound of their own. Euro speed metal riffs and choruses abound here. Clearly, there are also some weaker moments, but overall a solid and enjoyable album.


8. Candlemass - Epicus Doomicus Metallicus

Here we have another debut, this time from the Swedish kings of doom. I like the sound of this album. It is very dark and gloomy, with dark lyrics and slow riffs. I like this album because it is really genre defining. I suppose one could say Sabbath invented doom, but by 1986, it was a lost art. Candlemass kind of brought it back and gave it a new birth, and they do it quite well here.


7. Metal Church - The Dark

For me, this album was a slight step back from their first. Maybe not a step back, but not a step forwards either. Don't get me wrong, I think it is a really good record, but I guess I was expecting a greater leap forward and I really didn’t notice any evolution from the first album. Still, the riffs and hooks are there and it is a good listen. One thing is for sure; I would put Metal Church's first two albums up against any other American Thrash band's first two albums and come away with the conclusion that the Metal Church albums are better.


6. Motörhead - Orgasmatron

The first Motörhead album with present guitarist Phil Campbell was another solid release by Lemmy and his band. Motörhead evolves so slowly that the changes to their sound are slight and distinct, but the more I listen to this band, the more I appreciate the different subtleties the albums have. This album builds and builds, until it explodes on the last song with the brilliant title track. One of the greatest tunes in the Motörhead catalogue.


5. King Diamond - Fatal Portrait

This album is somewhat underrated in my opinion. While it is not as good as a couple of the subsequent King Diamond released, the difference is not as great as most of the metal community would have you believe. This album certainly has more of a Mercyful Fate feel that the later albums, and to me, that is what makes it so special. In addition to King's great vocals, the twin guitar attack of Andy LaRocque and Michael Denner is great, and that is really what makes this a good album.


4. Fates Warning - Awaken the Guardian

With each album Fates Warning gets more progressive and less traditional metal. In my opinion, this album found the right balance. It is not nearly as progressive as they would become, but the song structures are better than on the previous two albums. The complexity is perfect, no wankery for sure, yet it's not the same heavy metal formula that was so prevalent in the 1980's. This is probably the best Fates Warning album of the John Arch era.


3. Megadeth - Peace Sells…But Who's Buying

Megadeth's second album is a giant leap forward from their first. The quality of the songs on this album is top notch, and the execution is flawless. The album gets a tad stale after repeated listens, but overall it is a really solid album, and a good listen from start to finish. The made popular by MTV title track is still fresh today, as are The Conjuring, Wake Up Dead, and Good Mourning/Black Friday. The balance of the album is not up to that level, and as such I would not classify this as a great album.


2. Metallica - Master of Puppets

Here we have the only Metallica album I would consider great. Really, not a weakness on here, though some moments are clearly better than other. On this album, Metallica manages to have the same aggression as they do on the previous albums, but it is properly balanced with that intangible presence that the really great bands have. For some reason, after this album, they had that intangible, but they lost the aggression and drive that made Master of Puppets a truly great metal album.


1. Iron Maiden - Somewhere in Time

A bit of a controversial Maiden album, as it used the "guitar synthesizers" for the first time. To me, the use of the synthesizer was not overdone, and it textured the album quite nicely. I think this is one of Maiden's better albums, even is it sounds a bit dated today. There are some great songs here, and Adrian Smith really shines as a player and songwriter here. Somewhere in Time, while not Maiden's best, is certainly good enough to be album of the year in 1986.

1985 - He is a Midnight Snacker - His Name is Udo and He is a Goon

1985 was an interesting year in the field of metal and rock. There were many albums released, and many good albums released, but the overall quality appears to have slipped from the previous year. In fact I have two albums in the top ten from bands whose 1984 efforts were better than their 1985 output, but the 1985 album made the top 10, where the 1984 album, while better, was left off.

So, as a result, the difference between number 10 and number 25 is probably small, because there were so many decent albums that just did not crack the top 10, but arguably they are all so close that I could change my mind about one or another them over time. However, this is not a science, just one man's hobby, so as such I present the top 10

10. Armored Saint - Delirious Nomad

I'll start out by saying, I like 1984's March of the Saint better than Delirious Nomad, that said, Delirious Nomad is a solid album for sure. However, with the Max Headroom style cover and the over polished sound, it seemed that Armored Saint were trying too hard to be liked, and as such, this album suffers a bit.


9. Slayer - Hell Awaits

An improvement over 1983's Show No Mercy, but still not quite there. I really like the longer pieces on this album, especially Hell Awaits and Crypts of Eternity and I wish they had kept to that style. However, this album is not without its holes and sometimes the listener can lose interest. The riffs are great, but sometimes pieces like Necropheliac and Kill Again are monotonous and tarnish the album as a whole.


8. Rush - Power Windows

Not the best Rush album for sure. As a matter of fact, it is my least favorite of all their 1980's albums. However, with 1985 being the year of the mediocre album, Power Windows finds a place in the top 10. There are some great moments here, like Territories, Marathon and Manhattan Project, but other tracks like Grand Designs and Middletown Dreams are boring and make the album as a whole not that enjoyable a listen.


7. Fates Warning - The Spectre Within

This is sort of a bridge album for this band. More progressive than Night on Brocken, but not yet the progressive band they eventually evolved into two albums later. It is still a good metal album with great vocals and guitar harmonies. For me it is a step back from their debut, but this opinion puts me in the minority.


6. Dio - Sacred Heart

Probably a "best of the rest" pick here. The albums after this are all clearly ahead of the 1985 pack. This is the first stop on the downhill Dio express. It's a good album for sure, but certainly not up to the caliber of his first two solo albums (or his work in Rainbow and Black Sabbath). Sometimes, I wonder what he was thinking of releasing campy pop rock tracks like Hungry For Heaven and Rock N Roll Children. The rest of the album is good (with the exception of closer Shoot Shoot), but certainly a step down for sure.


5, Celtic Frost - To Mega Therion

I am not really a Celtic Frost fan, but this album is special. In fact this is pretty much where the 1985 albums become less interchangeable in terms of their placement in my top 25 for the year, and from here in, the albums are of a higher caliber.

To me this album is way ahead of its time, and has some elements of the more technical death metal acts of the late 1990's and beyond. Circle of the Tyrants is a brilliant piece, but it's not the only great track here. The whole album is very creative and different for the time; it's almost avant-garde. Celtic Frost definitely pushed the boundaries of extreme metal with this release.


4. Watchtower - Energetic Disassembly

It is hard to describe this album. It is certainly the first true progressive metal album released. I can hear their influence on dozens of bands today from Spiral Architect to Magnitude 9. I like Jason McMaster's vocals a lot, and the guitar wizardry is fabulous. Add to that a fantastic rhythm section and you have one of the best albums by an American group from the 1980's. The more I listen to this lost gem, the better it gets. It is a truly underrated and unappreciated classic.


3. Yngwie Malmsteen - Marching Out

It was kind of funny listening to this album again for the first time in a while, because the lyrics can be quite silly in places like I am a Viking and Soldier Without Faith. I guess it sounds a tad dated, but it really is a good album. There are so many memorable classics here, and quite frankly, there is not a bad song on this album. The playing is obviously brilliant, as Yngwie is a great player, but the vocals and song structures are good too. By far, this is Yngwie's best album.


2. Helloween - Walls of Jericho

Helloween's first full-length album Walls of Jericho is probably the cornerstone of European speed/power metal. Kai Hansen is a fantastic guitarist and I personally like his singing as well, so for me this album is a real scorcher. Granted, Hansen's songwriting has improved over the years, but there is no denying the blistering power and ferocity of the riffs and other guitar work here. This is a great debut from the pioneers of German speed metal.


1. Accept - Metal Heart

I'm sure this will not be a popular choice. I love this album; really the only 1985 album I would consider great. The only 10 out of 10 of the year. There is not a weak moment here. The riffs are huge, Udo shrieks like a madman, the guitar solos are infectious, even the bass work shines on Teach Us to Survive. Accept's Restless and Wild from 1982 is really their only other good album. As such, it is very ironic that a band with more turkeys in its catalog than you'll find at a Butterball rendering plant, can release such a great album. I would have to say this is in my top 10 albums of all time. Brilliant.

Interlude - Back to the Present

Here is a tentative list of my 10 favorite albums from 2005. If any of my readers have not heard these (not counting Junkyard Willie, because he is only a tr00 ice devil in spirit, not reality) I highly recommend all of them. Though, none are good enough to warrant the famous "Money Back Guarantee".

1. Moonsorrow - Verisäkeet
2. Slough Feg - Atavism
3. Masterplan - Aeronautics
4. Gamma Ray - Majestic
5. Opeth - Ghost Reveries
6. Candlemass – Candlemass
7. Brainstorm - Liquid Monster
8. Nevermore - This Godless Endeavor
9. Primordial - The Gathering Wilderness
10. Arcturus - Sideshow Symphonies

1984 - This Is What Not To Do If Your Bird S**ts On You

1984 was a great year in the hard rock/heavy metal world. When an album like Grace Under Pressure by Rush is not in the top ten, you know you have a good year. Again, we see a fair number of debuts, but the veteran kings of metal would produce the cream of a very good crop.


10. Sinner - Danger Zone

Boy this one comes dangerously close to hair metal, but the guitars are so friggin' huge here that it falls outside that realm. The lyrics are something that Poison would be proud of, nevertheless, the music here is what counts and it really is great. Sure, it's dated, but it is effective. Guitarists Stoner and Shirley have the chops that the California players like Deville and Mars could only dream of, and they incorporated them into this 80's style hair metal, except that the music is actually good.


9. Metal Church - Metal Church

For some reason, this band tends to be overlooked when discussing the American metal scene of the 80's. People always speak of Anthrax, Slayer and the mighty Metallica, but Metal Church gets left behind. Too bad for them, because this album is better than anything Anthrax has ever done for sure. The instruments here are all well played and the vocals, while a little too Olivaesque for my liking, fit the band quite well.


8. Deep Purple - Perfect Strangers

Deep Purple's "reunion" album so to speak. Often times financially driven reunion albums are weak, but this one is an exception. There are some great tracks here (Knocking at Your Back Door, Mean Streak, Perfect Strangers) and the so-called "fillers" are also good. Blackmore's guitar work is still in fine form and Gillan's vocals give it a tremendous vibe.


7. Fates Warning - Night on Bröcken

Not a very popular album among Fates Warning fans for some reason, but I like it a lot. It has a more traditional heavy metal vibe than their progressive sound of today and it is clearly under produced. There are some great tracks on here in particular the last three Shadowfax, Damnation and Soldier Boy. This album has been accused of Maiden and Priest cloning, and there is no denying the influence of these two legendary bands on this album, but it is not cloning. A very underrated album.


6. Mercyful Fate - Don't Break the Oath

The second album from the Danish pseudo Satanists is not quite as good as the debut, but it is a very good album nevertheless. A few turkeys here keep this album from the status of greatness, but classics like Gypsy, Come to the Sabbath, and A Dangerous Meeting assure it a spot in the top 10.


5. Queensrÿche - The Warning

It is safe to say, that after the brilliant first Queensrÿche EP, I was expecting a great deal from The Warning, and while it didn't quite meet my expectations, The Warning is a very good metal album. Queensrÿche almost invented progressive metal as we know it today, and here we see the first album of this sub genre. They would go on to expand their musical horizons later in their career, and achieve the holy grail of commercial success with Empire, but in my opinion, they had a better overall sound here than almost any other time in their career.


4. Metallica - Ride the Lightning

As I stated in my 1983 top 10, I have a personal distaste for Metallica. That being said, it is hard to deny the quality of this album. A couple of weak moments keep this from the elite albums of 1984, but it is clearly the best of the rest. Creeping Death and Trapped Under Ice show the potential this band had, and would eventually achieve on a more consistent basis with their subsequent album. However, some other moments here are drab and forgetful, such as the overrated Fade to Black (Emo anyone??) and Fight Fire With Fire.


3. Dio - The Last in Line

Dio's second solo effort was almost as good as his first. This is another great album from Dio and his band. Unfortunately, after this release, the quality of Dio's work would slip significantly, never to rebound, but let's not dwell on that. The Last in Line featured many great tunes (almost all nine really), and only toward the end of the album did things slip just a tad. In another year, this easily could have been the best, but the two biggest metal giants put out some of their best work that year, putting Ronnie in the three spot.


2. Judas Priest - Defenders of the Faith

Really more of a 1A, than 2. With the exception of the last two tracks, this is a flawless Priest album. It opens with Freewheel Burning, which is fast and heavy, and the Hot Leather Dude and Co. don't let up until the obligatory, ridiculous rock anthem. Other standout tracks include The Sentinel, Some Heads are Gonna Roll, and the great ballad Night Comes Down. I really can't say enough great things about this album. Probably my second favorite Priest studio album behind Stained Class.


1. Iron Maiden - Powerslave

I know that Maiden has occupied a top 4 spot now for the last 5 years, but they are the best hard rock/metal group ever, so it is only fitting I guess. Powerslave is one of Maiden's finest moments. With four essential, legendary classics like Ace's High, Two Minutes to Midnight, Powerslave and Rime of the Ancient Mariner, that would be enough to consider it a great album, but the four remaining tracks are also great (well really good). The greatest album of a really great year.