Witchfynde’s debut had it all (except for singing and production, but
nothing new there). The songs were epic
and it had an acceptable level of heaviness for the day. Sure, there are some weak spots, but overall
it is very strong. There are rare
occasions where the rawness and underproduction actually works, and while I
will not call it an asset, it does not bother me as much here as it does on
other albums from 1980 (i.e. Sarcofagus).
It is disappointing that they changed direction so quickly, as they
could have become a real metal band had they stayed the course. They had the unique ability to combine great
riffs and more epic pieces into a cohesive record. They had better riffs than Fist, they were
more epic than Diamond Head, and they were heavier than Samson.
Sure the beginning of Leaving Nadir is a bit slow, but the song picks
up. Unto the Ages of Ages is just short
of 9 minutes, but it done so much better than many of the epics of the
day. Perhaps the spoken parts in the
middle are a bit naff, but the song in its entirety is quite good. The other 5 tracks are all great metal
tracks.
The Tygers were one of my favorite bands of the NWOBHM with three solid
released before they went to pot. This
debut is my least favorite of the three, but it is still a classic
release. Jess Cox was certainly not the
best singer, but he was at least competent.
The Tygers also had a decent producer in Chris Tsangarides. I really like the drumming on this record
too. I think Brian Dick was an underrated drummer.
The Tygers were not afraid to exceed five and six minutes with their
songs and the risk pays off in Killers.
Not so much in Insanity or Slave to Freedom, but both are decent. The best tracks here are Wild Catz, Suzie
Smiled and the aforementioned Killers.
As a kid, this was one of the many bands I always dismissed. I guess I was a teenage sexist. That was a big mistake. This is an infectious record with lots of
riffs, licks and hooks. Granted, it is
not as heavy as some other releases of the day, but it is certainly a metal
album.
Kelly Johnson was a competent guitarist and the rhythm section does a
good job as well. Good vocals and good
production compliment a collection of great songs. There are no epics here, but they don’t waste
your time with sappy ballads either. The
best songs are Breakdown, Emergency, Nothing to Lose and the cover song, Race
With the Devil.
This album represents a change in style for Judas Priest. It’s a little hard to describe, but any fan
of Judas Priest will acknowledge the difference in sound in British Steel and
the subsequent 3 records from the first 5 albums. I think the change in drummer had a lot to do
with it. Dave Holland was a lot more
straightforward and steady, where Les Binks was more creative and progressive
in his style. I am not sure why Binks
never caught on elsewhere, especially with the explosion of metal bands in
1980.
Of course in 1980, Priest were veterans in a sea of metal rookies, and
it showed as they outshined almost all of the rookies in the class of
1980. Interestingly, this album spawned
three singles. In my book, those are the
worst three songs on the record, and in fact it is those three songs that knock
British Steel out of the top 5. The
other six tracks are all timeless metal classics.
The first of two brilliant Saxon albums to be released in 1980, Wheels
of Steel was a giant leap forward from Saxon’s 1979 debut. There is a great flow to this album and in
the days of Side 1/Side 2, I think the 2 sides here are quite distinct, even in
the age of CD’s and MP3’s. Both sides
have something to offer, but there is a clear difference.
Side 1 is the one most people will recall. Motorcycle Man, Stand Up and be Counted, 747
and Wheels of Steel are all Saxon classics.
Side 2 is a little different with Suzie Hold On and See the Light
Shining being stand out tracks, but the rest of the side is not as good with
“filler” tracks, Freeway Mad, Machine Gun and Street Fighting Gang.
Saxon would continue an uphill climb that would temporarily put them at
the top of the NWOBHM pack. Wheels of
Steel is the beginning of that climb and
an all-time great record.
3 comments:
Good stuff here just as I thought there would be.
I don't remember liking Give ‘Em Hell as much as you do. I do remember thinking it was okay, so I guess this is another one I need to listen to again.
I liked Wild Cat as well and totally agree with you about "Killers" being the best track on the album.
I didn't give Girlschool much of a chance either back in the day, but have since found them to be pretty good. Demolition is a good rockin' album.
Now we get to the heavy hitters! The Steel!
British Steel is a great album and you are right it marks a change for Priest and a good one. Don't get me wrong I like the earlier stuff too, but with British Steel I think they really became Heavy Metal.
Wheels of Steel, "Hey boy, there's 30,000 watts here you know!" Saxon is cool and this is a fine album. Way better than their first one.
Well, there it is and just as I said there was a few surprises, but the closer you get to the bottom or top of the list, depending how you want to look at it, the less surprised I am.
Good list. Can't wait for the last bit.
I don't get why so many "metal" fans like these wierd old bands. Metal is Slayer and Pantera. Not Girlschool
Funny how so monay of these groups are out of business. there is no one like Ozzy & Sharon!!
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